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pelodelperro
Приєднався 24 бер 2009
- music. lots of it. don't believe in genres.
- take a look at my subscriptions. great music in there.
- this channel is expression of my belief in true gifts.
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enjoy, share and comment.
- take a look at my subscriptions. great music in there.
- this channel is expression of my belief in true gifts.
----------------------
enjoy, share and comment.
Robin Minard - “qu’il m’en souvienne…”
“qu’il m’en souvienne…”, acousmatic composition for 4-channel audio or stereo version (1987)
Oeuvre entièrement synthétique, qu’il m’en souvienne… a été composée sur l’ordinateur central VAX 11/780 dont était équipé le studio électronique de l’Université technique de Berlin, dans les années 80. C’est donc une œuvre historique, en quelque sorte. Elle est programmée en langage Cmusic-V, l’ancêtre de l’environnement Csound bien connu aujourd’hui. Cette composition met à profit deux des principales possibilités qu’offre le langage Cmusic, soit la synthèse sonore et la spatialisation. Ici, la synthèse sonore se fonde sur l’algorithme de corde pincée «Karplus-Strong»; pour les positions et trajectoires sonores, j’ai utilisé le module «soundpath» de Cmusic. La délicate courbe de tension de la musique et les deux points culminants de l’œuvre sont fortement soulignés par la vaste gamme dynamique qui prévaut à travers la composition.
Le titre provient du poème Le Pont de Mirabeau de Guillaume Apollinaire.
qu’il m’en souvienne… est une commande du Festival automnal de Varsovie (Warszawska Jesień) de 1987. Elle a été réalisée au studio d’électronique de l’Université technique de Berlin.
Art by Elizabeth Peyton
Oeuvre entièrement synthétique, qu’il m’en souvienne… a été composée sur l’ordinateur central VAX 11/780 dont était équipé le studio électronique de l’Université technique de Berlin, dans les années 80. C’est donc une œuvre historique, en quelque sorte. Elle est programmée en langage Cmusic-V, l’ancêtre de l’environnement Csound bien connu aujourd’hui. Cette composition met à profit deux des principales possibilités qu’offre le langage Cmusic, soit la synthèse sonore et la spatialisation. Ici, la synthèse sonore se fonde sur l’algorithme de corde pincée «Karplus-Strong»; pour les positions et trajectoires sonores, j’ai utilisé le module «soundpath» de Cmusic. La délicate courbe de tension de la musique et les deux points culminants de l’œuvre sont fortement soulignés par la vaste gamme dynamique qui prévaut à travers la composition.
Le titre provient du poème Le Pont de Mirabeau de Guillaume Apollinaire.
qu’il m’en souvienne… est une commande du Festival automnal de Varsovie (Warszawska Jesień) de 1987. Elle a été réalisée au studio d’électronique de l’Université technique de Berlin.
Art by Elizabeth Peyton
Переглядів: 753
Відео
José Vicente Asuar - La noche II
Переглядів 5659 місяців тому
La noche II, for tape (1967) A harmonic mixture of composer and engineer, José Vicente Asuar researched and generated electronic sound technologies, creating with them a deeply expressive and personal music: maybe the first devices created and modified in Chile in the late 50’s; the first fully synthesized work composed in our country and/or Latin America, in 1959; the implementation of Sound T...
José Miguel Candela - Ciclo «Alrededor de Chiron»
Переглядів 4699 місяців тому
Ciclo «Alrededor de Chiron», for electronics (2005) 1. choque Violento hacia el futuro 2. luna dE la luna chiron de chiron (1:00) 3. un mundo que vive más Rápidamente (2:00) 4. soN ‘ellos’ que (siempre) regresan (3:00) 5. apolovErne cxi (mito) (4:00) «Alrededor de Chiron» (Around Chiron) Cycle is a group of 5 micropieces of 1.00 min. each, for continuous listening, without silences between them...
Gustavo Becerra-Schmidt - String Quartet No. 4
Переглядів 7149 місяців тому
String Quartet Number 4 (1958) I. Allegro II. Andante (4:54) III. Allegro (9:26) IV. Allegro (10:37) The Philadelphia String Quartet Chilean composer Gustavo Becerra-Schmidt (1925-2010) began his musical studies at the age of seven at his local conservatory. He later earned his degree in Composition and Musicology at the University of Chile. In the 1950s and 1960s, Becerra-Schmidt worked as a v...
Alejandro Albornoz - Noche de metales
Переглядів 4359 місяців тому
Noche de metales (2004-2005) Primera Parte Segunda Parte (09:36) Tercera Parte (16:56) Night of Metals is a trilogy inspired by the poetry of the Chilean writer Gabriela Mistral. Referential sounds of metals were processed to obtain a rich sound palette that structures sections, moments and contrasts, all aiming to work with the connotative ideas of metallic textures and the telluric power of t...
Federico Schumacher - Pl@y
Переглядів 3239 місяців тому
Pl@y (2008) Original format: 6.0 channels Liner notes: Nos encanta jugar. En realidad somos niños grandes que no hemos logrado transformarnos en «verdaderos» adultos y continuamos jugando, ahora con cosas un poco más serias, como la música. Pero en este juego de la música, como en los juegos y como en la vida, sucede más a menudo de lo que quisiéramos el encontrarnos con situaciones imprevistas...
José Gallardo - Melancolía
Переглядів 5999 місяців тому
Album: Humores (2018) Humores makes reference to the moods or temperaments according to the classification of Hippocrates, considered the father of medicine. It is, thus, a kind of suite that is composed of emotional representations instead of dances. The humoral theory, in force from Greek Antiquity until after the Renaissance, comprised four temperaments: Choleric, Phlegmatic, Melancholic and...
Manuella Blackburn - Causal Impacts
Переглядів 98110 місяців тому
Album: Pueblo Nuevo Primer Aniversario - Lado E: Electroacústica (2006) Manuella Blackburn is an electroacoustic music composer who specializes in acousmatic music creation. However, she also has composed for instruments and electronics, laptop ensemble improvisations, and music for dance. Manuella Blackburn has received a number of international awards and prizes for her acousmatic music inclu...
Mauricio Kagel - Anagrama
Переглядів 10 тис.6 років тому
Anagrama, for four soloists, speaking chorus, and chamber ensemble (1957-58) Kammersprechchor Zürich Anagrama, written between February 1957 and November 1958, after preparatory work in Argentina, was given its first performance at the ICMS Festival in Cologne on June 1960. Nearly all the speech elements and sounds are derived from the palindrome on gnats and moths (wrongly attributed to Dante)...
Morton Subotnick - Parallel Lines
Переглядів 8 тис.6 років тому
Parallel Lines, for solo piccolo with "ghost electronics" and nine players (1979) Laurence Trott, piccolo Members of the Buffalo Philharmonic and Buffalo Creative Associates Michael Tilson Thomas Parallel Lines is one of Subotnick's "ghost" pieces for live soloist and electronics. The ghost series is a unique method of blending electronics with live performances so that the effect of the electr...
Lejaren Hiller - Sonata for Violin and Piano
Переглядів 5 тис.6 років тому
Sonata No. 3 for Violin and Piano (1971) I. Furioso II. Largo III. Prestissimo Mark Sokol, violin Roger Shields, piano I wrote this three-movement sonata during November and December, 1970 in Buffalo and added some final touches and alterations while vacationing on Lanzarote in the Canary Islands in early January, 1971. I find it rather odd to explain why I suddenly decided to write a piece of ...
Bohdan Mazurek - Bozzetti
Переглядів 4,5 тис.6 років тому
Bozzetti (1967) Realized in the Experimental Studio of the Polish Radio, Warsaw Bozzetti is composed of four short parts, or musical sketches, which together form an integral entity. Each of the sketches has a different character from the point of view of both its sonorous and emotional climate. However, all the sketches are based on the same method of composing; the use of contrasts. The quiet...
Halim El-Dabh - Leiyla and the Poet
Переглядів 9 тис.6 років тому
Leiyla and the Poet (1959) Halim El-Dabh produced eight electronic pieces in 1959 alone, including his multi-part electronic musical drama Leiyla and the Poet, which is considered a classic of the genre and was later released in 1964 on the LP record Columbia-Princeton Electronic Music Center. His musical style was a contrast to the more mathematical compositions of Milton Babbitt and other ser...
Otto Luening - Gargoyles
Переглядів 6 тис.6 років тому
Gargoyles, for violin and synthesized sound (1961) Max Pollikoff, violin Gargoyles is a composition for violin solo and synthesized sound. The synthesized sound material was produced on the Synthesizer, and later manipulated by tape techniques. The composition consists of a subject and series of short variations, each complete in itself. Some are synthetic and others are for the solo violin. Se...
Costin Miereanu - Ombres Lumineuses
Переглядів 7 тис.6 років тому
Ombres Lumineuses, for clarinet, horn, percussion, 3 synthesizers, violin, cello (1985) Ensemble Antidogma Daniel Tosi Sotto l'egida del Ministero del Turismo e Spettacolo, 1985 Anno Europeo della Musica Art by Hung Keung
Maurice Wright - Electronic Composition
Переглядів 2,7 тис.6 років тому
Maurice Wright - Electronic Composition
Daniel Barbiero - Fifteen Miniatures for Prepared Double Bass
Переглядів 2,6 тис.6 років тому
Daniel Barbiero - Fifteen Miniatures for Prepared Double Bass
Herbert Eimert - Epitaph für Aikichi Kuboyama
Переглядів 7 тис.7 років тому
Herbert Eimert - Epitaph für Aikichi Kuboyama
Peter Michael Hamel - Gestalt für Orchester
Переглядів 6 тис.7 років тому
Peter Michael Hamel - Gestalt für Orchester
Cristóbal Halffter - Noche pasiva del sentido
Переглядів 4,6 тис.7 років тому
Cristóbal Halffter - Noche pasiva del sentido
Alain Savouret - L'arbre et caetera
Переглядів 3,4 тис.7 років тому
Alain Savouret - L'arbre et caetera
1969? This is way ahead of it's time Creepy af but i like it
amazing performance by Sarah Leonard in this demanding score
1286 келгендер бар ма😂
Still gives me chills after a decade.
Oh wow recorded in 1922
Trux forever
How originality can haunt.
rediscovered this, and I wish this had a vinyl press. cool trip hop vibes with the highly exahaulted one theeself on vocals.. a treat
Uno dei brani più' belli e struggenti, toccanti, ascoltati, Veramente un genio un UOMO con una sensibilità unica . UNICO Grandissimo Grazie mr. Coltrane. (Rip)
Не слухайте цього під грибами.
How beautiful
sooooo good
I was in a chamber choir that performed this when I was in college. It was really hard and also a LOT of fun. (How often does a chamber choir get to make 'raspberry' noises on purpose and hit whatever note they feel like?) We were required to memorize our parts, and our fabulous conductor memorized it as well. During one performance, our conductor got lost. There's a spot in the middle of the piece where there is a sound that is held, and the conductor cuts the choir off when s/he feels it's 'right.' When we came to that spot, our conductor realized we were holding the sound, and he cut us off, then asked, "Where ARE we?!" We all laughed and told him where we were, then we finished the piece. I have always wondered whether the audience thought that the laughter was part of the piece.
Excuse me, who are the performers? Are they all professional singers?
This song gives me chills. It's the idea of Perfection made of music.
Habe dieses Lied,und auch noch andere aus der Tudor-Zeit,vor Jahren mal von einem achtstimmigen Madrigalchor in einer Kirche hören dürfen: Ein unvergessliches Gesangserlebnis
Tiny Tim? He was famous.
この作品は、スコアをみると、また感動が強まります!😂
Elvin ❤
So.. they used his music without permission? Why the hell didn't he drag their asses to court?
Awesome.
Wonderful Song!
His music always excited me. He understands frisson.
Been listening since 2005. Still here and forever will be. Never stop making great music ❤
Just found this song again. I was in a new age shop in Byron Bay when I first heard it.and I have a vivid recollection of the whole experience.
adorei
🎧▶🎶🌛
My favourite song of the albumm...
Nightmare
Berio é fantástico! Magnífico!
Extraordinary! Hallucinogenic (well, speaking for myself). Quite an impact! More, more...
I am constantly in search of composers who are able to express dark, often violent moods, emotions. Hearing this particular work is akin to stepping on a land mine. Gunter Bialas is my newest discovery.
This helps me sleep
Thanks. Madlib sampled this on Declaime - Let it be known
Im late to this tune and shame on me. ...this is chet not only cooler than ever but listen to that f-ing back up
Superb🙏
🙏💫🙏
So good🙏 And so important in my young years as the doors of perception opened fully💫
It took me decades to start appreciating Feldman's music, but that's how long it takes to grow a new pair of ears. This and Piano and String Quartet are my favourites. Thanks for posting.
Good Girls 😍
Very good work
Yes. I heard a few bars and was immediately addicted
ua-cam.com/video/iZJpQZ9gYVI/v-deo.htmlsi=dRPqmHc8uFzQdHjd
I wonder if the two people who flaunted their love like I would hate it know I think Black women are hot.
2024
Some of allmusic's programme note given here is, to put it politely, questionable. The performance is very good, though. What a wonderful work.(Tired? Are you kidding?). It's hard to play, but the string writing is so clever, inventive and effective. That last chord on divided basses at the end of the first movement - !! Even that one moment has Stravinsky written on it.
yep im using this in a gruesome scene in a side project
love this song and love their song ‘spinning away’ even more. two incredible tunes
Ciao, thank you for this nice music. I had this CD but I lost it changing house. Can you tell me the name of CD and the name of the other composer whose music is in thjs CD? Is he Britten? I remember it was produced by an italian newspaper , "La Repubblica" or "Il Manifesto". But I never find the full album, just this two pieces you have upload. Thank you
Saudos desde Sardenha